'The Marvels' no cumple las expectativas en cuanto a recaudación en taquilla

cine, economia, the marvles, marvel, taquillas, perdidas, red latina, peliculas

2023-11-13

'The Marvels' does not meet expectations in terms of box office collection

<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Redacción Red Latina<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#0000ff;background-color:#ffffff;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Scroll Down for English Version<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Desde “Iron Man” en 2008 las películas Marvel han sido unas de las más populares en la historia del cine. Ahora, sin embargo, esa imagen de invencibilidad parece estar desapareciendo. La serie tocó un punto bajo este fin de semana con el estreno de “The Marvels”, que recaudó apenas 47 millones de dólares, según estimados difundidos el domingo.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">La 33ra película del Universo Marvel, secuela de “Captain Marvel” de 2019, recaudó menos de un tercio de los 153,4 millones que recaudó su predecesor antes de llevarse 1.130 millones a nivel global.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Es poco común que una secuela caiga de manera tan pronunciada, especialmente en las películas Marvel. David A. Gross, de la firma de análisis Franchise Research Entertainment, lo calificó de “un colapso sin precedente del sector Marvel”.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">La anterior película de Marvel que tuvo tan mal desempeño fue “Ant-Man”, con 57,2 millones dólares 2015. Hay otras películas que han decepcionado, pero son de otras compañías, como “Morbius” de Sony en 2022 o “Fantastic Four” de 20th Century Fox en 2015, que ganó 25,6 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Pero “The Marvels” era una película a un costo de 200 millones de dólares, parte dos de un éxito excepcional de 1.000 millones de dólares. Fue excepcional en otros sentidos: Fue la primera película MCU dirigida por una mujer negra: Nia DaCosta, y tuvo tres mujeres en papeles protagónicos: Brie Larson, Teyonah Parris e Iman Vellani.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">La crítica no fue excelente (62% en Rotten Tomatoes) y tampoco fue muy entusiasta la reacción del público. “The Marvels” es apena las tercera película MCU que recibe una “B” del público según CinemaScore, después de “Eternals” y “Ant-Man and the Wasp: Quantamania”.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“The Marvels”, que añadió 63,3 millones a nivel internacional, podría convertirse en un punto de inflexión para MCU. A lo largo de los años, la franquicia ha ganado 33.000 millones de dólares globalmente.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Pero en momentos en que los cines y las pantallas de streaming se llenan de superhéroes, algunos analistas detectan cierta fatiga por parte de los espectadores. El jefe ejecutivo de Disney Bob Iger se preguntó si quizás el mercado estaba saturado de esos contenidos.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“En los últimos tres años y medio, el crecimiento del género se ha estancado”, escribió Gross en una nota informativa el domingo.

<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Por otra parte, tras dos semanas al tope de la taquilla, la película adaptada de un videojuego “Five Nights at Freddy’s” pasó a segundo lugar con 9 millones de dólares en su tercer fin de semana, y a nivel nacional lleva un acumulado de 127,2 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">La película de Taylor Swift “The Eras Tour” llegó de tercera con 5,9 millones de dólares al ser exhibida en 2.484 cines en su quinto fin de semana. La película lleva un acumulado de 172,5 millones a nivel nacional y 240,9 millones a nivel internacional.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“Priscilla” sobre la esposa de Elvis Presley, quedó en cuarto lugar en su segundo fin de semana, con 4,8 millones de dólares, bajando apenas un 5% con respecto al fin de semana anterior.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“Killer of the Flower Moon” recaudó 4,7 millones de dólares en su cuarto fin de semana, y lleva un total nacional acumulado de 60 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“The Holdovers”, con la actuación de Paul Giamatti, se estrenó en 778 cines y recaudó 3,2 millones de dólares.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“Journey to Bethlehem” debutó recaudando con 2,4 millones de dólares al exhibirse en aproximadamente 2.000 cines.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Las diez películas más taquilleras este fin de semana en Estados Unidos y Canadá, según Comscore. Las cifras definitivas salen el lunes.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">1. “The Marvels - $47 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">2. “Five Nights at Freddys - $9 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">3. “Taylor Swift: The Eras Tour - $5,9 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">4. “Priscilla - $4,8 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">5. “Killers of the Flower Moon - $4,7 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">6. “The Holdovers - $3,2 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">7. “Journey to Bethlehem - $2,4 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">8. “Tiger 3 - $2,3 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">9. “Paw Patrol: The Mighty Movie - $1,8 millones.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">10. “Radical - $1,8 millones.

<img src="https://redlatinastl.com/Recursos/imagenes-subidas/612801535-marvels.jpg" style="width: 1084.8px;"><span style="font-size:18pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;"> <span style="font-size:18pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">'The Marvels' does not meet expectations in terms of box office collection<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Since “Iron Man” in 2008, Marvel movies have been some of the most popular in film history. Now, however, that image of invincibility seems to be fading. The series hit a low point this weekend with the premiere of “The Marvels,” which grossed just $47 million, according to estimates released Sunday.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">The 33rd film in the Marvel Universe, a sequel to 2019's “Captain Marvel,” grossed less than a third of the $153.4 million its predecessor earned before taking in $1.13 billion globally.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">It's rare for a sequel to fall so sharply, especially in Marvel movies. David A. Gross of the analysis firm Franchise Research Entertainment called it “an unprecedented collapse of the Marvel sector.”<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">The previous Marvel film that performed so poorly was “Ant-Man”, with $57.2 million in 2015. There are other films that have disappointed, but they are from other companies, such as Sony’s “Morbius” in 2022 or “Fantastic Four ” from 20th Century Fox in 2015, which earned $25.6 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">But “The Marvels” was a $200 million movie, part two of a one-time $1 billion hit. It was exceptional in other ways: It was the first MCU film directed by a black woman: Nia DaCosta, and had three women in leading roles: Brie Larson, Teyonah Parris and Iman Vellani.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">The critics were not excellent (62% on Rotten Tomatoes) and the public reaction was not very enthusiastic either. “The Marvels” is only the third MCU film to receive a “B” from audiences according to CinemaScore, after “Eternals” and “Ant-Man and the Wasp: Quantamania.”<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“The Marvels,” which added $63.3 million internationally, could become a turning point for the MCU. Over the years, the franchise has earned $33 billion globally.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">But at a time when theaters and streaming screens are filled with superheroes, some analysts detect a certain fatigue on the part of viewers. Disney CEO Bob Iger wondered if perhaps the market was saturated with such content.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“Over the past three and a half years, the genre's growth has stalled,” Gross wrote in a briefing note Sunday.

<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">On the other hand, after two weeks at the top of the box office, the film adapted from a video game “Five Nights at Freddy's” moved to second place with 9 million dollars in its third weekend, and at the national level it has a cumulative total of 127, 2 millions.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Taylor Swift's film “The Eras Tour” came in third with $5.9 million when it was shown in 2,484 theaters in its fifth weekend. The film has a cumulative total of 172.5 million domestically and 240.9 million internationally.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“Priscilla,” about Elvis Presley's wife, came in fourth place in its second weekend, with $4.8 million, down just 5% from the previous weekend.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“Killer of the Flower Moon” grossed $4.7 million in its fourth weekend, bringing its cumulative domestic total to $60 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“The Holdovers,” starring Paul Giamatti, was released in 778 theaters and grossed $3.2 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“Journey to Bethlehem” debuted with $2.4 million in approximately 2,000 theaters.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">The ten highest-grossing movies this weekend in the United States and Canada, according to Comscore. The final figures come out on Monday.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">1. “The Marvels - $47 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">2. “Five Nights at Freddys - $9 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">3. “Taylor Swift: The Eras Tour - $5.9 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">4. “Priscilla – $4.8 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">5. “Killers of the Flower Moon – $4.7 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">6. “The Holdovers – $3.2 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">7. “Journey to Bethlehem - $2.4 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">8. “Tiger 3 - $2.3 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">9. “Paw Patrol: The Mighty Movie – $1.8 million.<span style="font-size:13.999999999999998pt;font-family:Arial,sans-serif;color:#000000;background-color:#ffffff;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">10. “Radical - $1.8 million.

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'The Marvels' no cumple las expectativas en cuanto a recaudación en taquilla

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